#cinefile: oscars rundown

can you
believe it’s 365 days since i posted a pre-Oscars blog entry?
well, luckily for us, it’s now not, it’s 0 days.

anyway, here’s how my 2012 predictions look. like:

——————————————————————————————————————————
Noms with a green star deserve to win (of those nominated)
Noms with a blue star will win
Noms with a yellow star offer some value
(outside shot)
 Noms listed in pink should’ve won
(but weren’t nominated)
——————————————————————————————————————————

Picture (by which they mean film)
o The Artist  
o The Descendants
o Extremely Loud & Incredibly Close
o The Help
o Hugo
o Midnight in Paris 
o Moneyball
o The Tree of Life
o War Horse
o Drive

Director
o Woody Allen
(Midnight in Paris)
o Michel Hazanvicius
(The Artist) 
o Terrance Malick
(The Tree of Life) 
o Alexander Payne
(The Descendants)
o Martin Scorsese
(Hugo)
o Nicholas Winding Refn
(Drive)

Actress
o Glen Close
(Albert Nobbs)
o Viola Davis
(The Help)
o Rooney Mara
(The Girl With The Dragon Tattoo)
o Meryl Streep
(?)
o Michelle Williams
(My Week With Marilyn)
o Olivia Coleman
(Tyrannosaur)

Actor
o Demián Bichir
(A Better Life)
o George Clooney
(The Descendants)
o Jean Dujardin
(The Artist)
o Gary Oldman
(Tinker, Tailor, Soldier, Spy)
o Brad Pitt
(Moneyball)
o Michael Fassbender
(Shame)

Supporting Actor
o Kenneth Branagh
(My Week With Marilyn)
o Jonah Hill
(Moneyball)
o Nick Nolte
(Warrior)
o Christopher Plummer
(Beginners)
o Max von Sydow
(Extremely Loud & Incredibly Close)

Supporting Actress
o Bérénice Bejo
(The Artist)
o Jessica Chastain
(The Help)
o Melissa McCarthy
(Bridesmaids)
o Janet McTeer
(Albert Nobbs)
o Octavia Spencer
(The Help)
o Jessica Chastain
(Take Shelter)

Foreign Language
o A Separation
o Bullhead
o Footnote
o In Darkness
o Monsieur Lazsar
o Norwegian Wood

Animated Feature
o A Cat in Paris
o Chico y Rita
o Kung Fu Panda 2
o Puss In Boots
o Rango

——————————————————————-

As for betting, I’ve highlighted a few options that might offer a punter some value, but the reality is that nowadays the main oscars categories are too sewn-up to be a good betting prospect. here, however, is one tip you might like:

if you’re betting ‘in play’, keep an eye on Sound Editing and Sound Mixing.

according to professional punter and gambling legend Neil Channing, these two awards offer an interesting angle. as you will see, if you look, the nominations are pretty similar for both, and on the night they are awarded consecutively. every year, the price of whichever film wins the first award to go on and win the second automatically shortens significantly in the ‘in play’ odds, however only four times out of the last eleven years has the winner of the first taken the second.

therefore, the best bet of the night might well be to swiftly lay the winner of Sound Editing to win Sound Mixing.

well that’s all from me, and here’s wishing you a pleasant Oscars night, who, where and whenever you are.

PS: i am hosting an intimate and sophisticated Oscar soirée tonight on Twitter.
if you feel like dropping by, do so by using the hashtag #RQTOP

bring snacks.
xxxxx

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